Explore the artistic activity through the exhibitions, projects, and texts, of the visual artist Aristotelis Triantis.
On April 25, 2014, an important participation in the renowned gallery (designtransfer gallery) of the University of Berlin School of Architecture for the Design Exhibition entitled "Blaueblumen - The Design 1o1 Exhibition".
designtransfer Gallery, UDK Berlin.25 - 26 April 2014
Στις 25 Απριλίου 2014 μια σημαντική συμμετοχή μου στην φημισμένη γκαλερί (designtransfer gallery) της αρχιτεκτονικής σχολής του Πανεπιστημίου του Βερολίνου για την έκθεση design με τίτλο "blaueblumen – the Design 1o1 Exhibition".
designtransfer gallery, UdK Berlin. 25 – 26 April 2014
A group of artists belonging to the Movement “ESASPERATISMO - Logos & Bin" and pleased to invite the S.V.
event of Art Saturday, July 13, 2013 - 17.30
Lombard Castle of San Barbato - Manocalzati (Avellino)
The event will be opened by the Mayor of Manocalzati Dr. Pasquale Tirone and the ‘Department of Culture Dr. Gaetano Cierzo
This will be the founder of the Movement Adolfo Giuliani
Speakers: Lucia Basile-Journalist Dominic Raio Carlo and Roberto Sciascia - Art Critics
Collaborators Carmela Zara - Lucy Iovino - John Ariano Weekdays and Holidays 17.00 20.00
Participating Artists
Giovanni Ariano, Linda Barbieri Vita, Adriana Caccioppoli, Cataldo
Michele, Umberto Colapinto, Antonio De Chiara, Giuseppe Di Franco, Maria
Teresa Di Nardo, Roberto Elia, Walter Elia, Enrico Fiore, Stelvio
Gambardella, Rocco Grippa, Assunta Improta, Lucia Iovino, Francesco
Iuliano, Rita Lepore, Giuseppina Maddaluno, Rosario Mazzella,, Carmine
Meraviglia, Paolo Napolitano, Nicola Pasquali, Viviana Pasquali, Carmen
Pau, Silia Pellegrino, Susy Provenzale, Gabriella Pucciarelli, Antonio
Pugliese, Tammaso Resta, Maria Antonietta Robucci, Pablo Rodriguez Guy,
Ignazio Sabiucciu, Alfredo Sansone, Anna Scopetta, Domenico Severino,
Imma Sicurezza, Antonella Sirignano, Lucio Statti, Leo Strozzieri,
Aristotelis Triantis, Gianfranco Vasile,
PERFORMING ACTS ON PHOTOGRAPHY May 19 - August 26. 2012
The Unknown Artist Virtual Museum, in partnership with the Fonlad
Festival present the on line show “Performing Acts on Photography), a
photographic show centered on the relation between new technologies, art
and the body.
Fotografia Photography
Adrian Lis (Roménia Romania), Aristotelis Triantis (Grécia Greece),
Benvinda Araújo (Portugal), Draga Jovanivic (Canadá Canada), Eva Lewarne
(Polónia Poland), Francesca Fini (Itália Italy), Khalil Charif (Brasil
Brazil), Lorraine Field (Canadá Canada), Marija Barkidija (Croacia),
Osvaldo Cibils (Uruguai), Paz Tornero (Espanha Spain), Pedro Polónio
(Portugal), Pit Kinzer (Alemanha), Sabriye Celik (Turquia Turkey),
Takeshi Furuya (Japão Japan), Tom Estes (Irlanda Ireland)
The multidisciplinary performing arts are continuously instigated by
new technologies. If the body were originally the relationship with the
public and the unexpected major components of performative action, with
time became constant the embodiment in every work of art - including
photography. However, the characteristic ambiguity of photography, this
is not expressed in a single form of performance art. In this context,
we can identify four types of events: the documental, the creation of a
photographic subject as a result of a performative action, the
performance in portrait photography and the application of the concept
of everyday performative photography as an object.
Over
fifty artists representing fifteen different countries for a total of
over one hundred and twenty works on display will be visible in three
different locations. These are the numbers of the third edition of
AMBIENTARTE, this year curated by Massimo Nicotra.
The exhibition, which fits in the “Med Yacth Festival”,
kicks off April 21, 2012, is organized by “Association 900”, “cgroups,”
Municipal Art Gallery diGaeta “. We exhibit artists from countries
around the Mediterranean such as Albania, Greece, Palestine, Syria and
Turkey Iseaele just to name a few. The artists will discuss on the topic
of water intended as a union but also of unity among peoples, the
liquid mass that can serve simultaneously as a glue separation factor.
The exhibition not only within the Med Yacht festival venues will have
as the Art Gallery and the headquarters of the 900, cha will be the
backdrop for paintings, installations, sculptures and video art products
that are compared to demonstrate that culture is unique. The exhibition
is sponsored by the city of Gaeta, Lazio Region, "Med Yacht Festival.”,
Municipal Gallery of Contemporary Art “John of Gaeta.”
Curator: Keith A. Buchholz. Local producer: Vėjūnė Sudarytė. Initiator: Ed Carroll.
As part of the USA Government’s culture week in Lithuania, Kaunas
Biennial marks the 50th anniversary of the 1st Happenings of George
Maciunas in New York. A group of 220 contemporary Fluxus artists mark
his unique contribution to contemporary art practice. Location: Kaunas
City Trolleybus with performances by Leard Reed Altemus III, Melissa
Rose McCarthy and Mary Campbell (USA).
In the time it took to organize this show, major shifts occurred –
shifts in location, works to be shown, participants, activities, and
ideas of what Fluxus was, is , and could be. A call for works was put
out to the “Eternal Network” of Artists, Non-Artists, Poets, Flux
people, and Friends to interpret the idea of Fluxus, and in doing so,
honor the legacy of George Maciunas, the founder of Fluxus, who was born
in Kaunas and emigrated with his family to the United States.
The premise for the show was simple – interpret the concept as you
like, using the idea of Textile as a point of departure. Both Flux
people and Mail Artists share the inherent love of found materials, and
alternative processes. Works range from Found and altered objects, to
postcards, boxes, digital images, film, publications, poetry, E-mail,
and performance scores. The works often have some handmade quality, and
in the process of curating the show, nothing is edited. Some unwritten
rules of the network are: “Show everything that you receive” and “All
artists are given equal billing”. As you explore this exhibition, feel
free to handle the objects, open and close the boxes, and interact with
the works. Fluxus works are tactile works – Meant to Communicate and
Inform.
When Fluxus started, roughly 50 years ago this year, Maciunas brought
together a wide variety of artists who were working outside the
boundaries of what was seen as art by the general public. In Al Hansen’s
“On Fluxus” (which has been republished in a pamphlet form as part of
this exhibition), he states that “Fluxus rejected what was felt to
matter in the New York and European art machinery.” In many ways it
still does.
Recent institutional interest in Fluxus has changed some things, as
the cheaply made multiples (intended to derail the value of art) have
become fetishized. Values of early Fluxus works have risen dramatically,
and an expanding crop of Curators and Collectors have enshrined works
made during Maciunas’ lifetime, drawing and end date on Fluxus at 1978
with George’s death. With most Movements in art this would be easy, but
Fluxus, a fluctuating group of international artists, has never
considered itself a “Movement”. Artists have continually been drawn to
Fluxus, and have taken up its banner since the exit of its chairman,
sometimes with the blessing of its early participants, sometimes bravely
on their own, building networks that eventually interweave with others
to form the broad spectrum seen in this exhibition. It can be guaranteed
that no matter how remote, these artists, by minimal degrees of
separation, can draw a path back, directly to George.
In the words of Dick Higgins, a member of that first circle of
George’s, “Fluxus has a life of its own, apart from the old people in
it. It is simple things, taking things for themselves and not just as
part of bigger things. It is something that many of us must do, at least
part of the time. So Fluxus is inside you, is part of how you are. It
isn’t just a bunch of things and dramas, but is part of how you live. It
is beyond words.” George’s gift for organizing and developing such a
network, which has been described as “An Attitude”, “Way of Life”, and
“An extended family”, is bigger than anything a date or label can
contain. We salute George best by continuing on this path. Ben Vautier
may have said it best, “Fluxus Never Stops!”
At the conclusion of the Third Triennial International
Movement Esasperatismo Logos & Bin, which was held in the beautiful
and prestigious setting of Castel dell ‘Ovo, Naples, from February 5 to
March 3, 2011, with great success, visitors flocked from all over Italy
and abroad, interested in our cultural message, I would like to thank
the 110 artists of the movement with which their works on display have
been able to express and disseminate the message of Esasperatismo.
I thank the three bins of Gold “to present at the Culture,
Advocate Gerardo Marotta, the Maestro Roberto De Simone and Professor
Clementina Gily, recipients of the Award for the years 2008, 2009, 2010,
with their efforts to the highest thickness, were able to give prestige
to an artistic event and a cultural reality in which not have of media
all attention they deserve.
Previously, on 11 December 2010, at the Palazzo delle Arti
Napoli (PAN), was presented the same catalog of the Triennale and
celebrated with a special status of Italian Post Office with a mobile
office, the tenth anniversary of the Movement Esasperatismo Logos &
bin which was created a special card.
The occasion was delivered on 3 ° "Golden Bin” for the
Culture 2010 to Clementina Gily Professor, Professor of Aesthetics at
the University Federico II of Naples.
At the conference moderated by the intervened lawyer the
Professor Clara Guarino, Gerardo Marotta, founder and president of the
Italian Institute for Philosophical Studies, Maestro Roberto De Simone, a
theater director, composer and musicologist, Professor Emily Mallard,
head teacher, Dr Nicola Oddati, Minister of Culture of the City of
Naples; the Professor Dominic Raio, journalist and writer.
The award “Golden Bin” for Culture was established in
2008. The first three were awarded annually. The next will be awarded
every three years, from 2013, coinciding with the International Art
Triennale.
My contributions to author Jeffrey Crussell, RAP-10 fine arts book
catalog, an international gathering of photographers and artists who
express themselves through the lens of traditional film cameras or other
optical recording devices such as digital cameras, cell phones, pinhole
cameras and scanners.
